The Fairground Magician tells stories about love fulfilled and unfulfilled, about things that are visible in the everyday world and about values that are perceptible only in exceptional moments. The narration assumes various forms, from apparent realism to various other genres, such as crime fiction, thrillers and erotic prose. Depicting the inner conflicts of her protagonists, Jelena Lengold often creates intertextual dialogues with similar characters from global literary history or with recognizable symbols of modern culture. Memories, intimations and premonitions are in these stories infused with a tranquility that accepts destiny, even when efforts are made to change it, like in the stories ‘Pockets Full of Stones’ or ‘Downfall’. In addition, eroticism as a natural ingredient of human life, as an integrated tension consisting of two inseparable sides – body and soul – energise stories like ‘Love Me Tender’, ‘Fairground Magician’, ‘Zugzwang’, Wanderings’, and ‘Aurora Borealis’.
In The Fairground Magician, Lengold is a lucid observer of minute details and subtle emotional shifts. In stories like ‘It Could Have Been Me’, ‘Shadow’, or ‘Ophelia, Get Thee to a Nunnery’, she manages to vault the wall between the bodily surface and the human interior in a very distinctive way. No matter how common are the situations she depicts - whether it be the motives of forlorn lovers, broken marriages or unfulfilled expectations - Lengold is in a constant search for the authentic, finding it within sophisticated irony, a distinct trademark of her fiction.